pornochromatic

Friday was the day of Digital Playground. I interviewed all of their contract girls (except for Kayden Kross for some reason) and I really enjoyed talking to Katsuni. I loved that she was able to laugh about her arrest in Mexico in 2004 while acknowledging that she definitely wasn’t laughing at the time.

It was also nice to finally meet Jesse Jane. She’s so effervescent and friendly – admittedly refreshing after talking to some of her fellow contract stars. Our legs were touching during the interview. I wanted to put her in my pocket – the one I’m not already using to hold Belladonna.

I headed back to the Evil Angel booth in the afternoon and talked to Kelly Divine and Angela Summers. I was struck by how authentic and almost vulnerable Kelly is. She’s faced a lot of disrespect and outright meanness because of her choice of career and it clearly hurts her deeply. I really enjoyed talking with her.

Angela Summers was a fun interview to do because she’s been out of the business for 10 years. She came to the show to promote the DVD release of her first movie, Wild Goose Chase. She didn’t stay in the booth very long – she felt that the younger girls were who the fans were there to see – but when I asked about the possibility of a comeback, she said “never say never.”

It was a good day and I got to hang out with America’s Beloved Porn Journalist, Gram Ponante, later that evening. We talked a little bit about the amount of “mainstream” media at the show this year. It seems like a lot. It’s great that the girls get the exposure, but we wondered how they’d end up being portrayed. I think once you start meeting and getting to know these girls you develop a protectiveness of them. They’re real people and that’s easy to forget sometimes.

Porn is littered with sub-par boob jobs, many of them on otherwise beautiful girls. What’s a photographer to do? Get creative. Below are five boob job defects that pop up on a regular basis and how they can be downplayed so you might not even notice them.

1. Dimpling/Scarring
The entry wounds you see on the first picture of Audrey Bitoni’s breasts lead to the dimples she’s now stuck with in the second one.



The fix: This gallery employs a number of the tricks that photographers use to conceal Audrey’s scarring and dimples: leaving clothing on under the breast, covering the breasts with the hands, using the hair to cover the breasts, and shooting her from the back.

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